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Digital imaging of artefacts : developments in methods and aims / edited by Kate Kelley and Rachel K.L. Wood.

Contributor(s): Material type: TextTextSeries: Access archaeologyCopyright date: ©2018Description: x, 182 pages : color illustrations, maps ; 28 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1789690250
  • 9781789690255
Other title:
  • Digital imaging of artifacts
Subject(s): DDC classification:
  • 930.1
LOC classification:
  • CC79.I44 D53 2018
Summary: This volume brings together new lines of research across a range of disciplines from participants in a workshop held at Wolfson College, Oxford, on 23rd May 2017. In light of rapid technological developments in digital imaging, the aim in gathering these contributions together is to inform specialist and general readers about some of the ways in which imaging technologies are transforming the study and presentation of archaeological and cultural artefacts. The periods, materials, geography, and research questions under discussion therefore are varied, but the contributions are united in shared interests surrounding the aims of these techniques for imaging objects: what advantages do they offer, whether in research or museum contexts, what limitations are still faced, and how can technological development encourage new types of research and public engagement?
List(s) this item appears in: AD New acquisitions 2019
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Printed Books Accademia di Danimarca Biblioteca ARK/hi. Digi 01 (Browse shelf(Opens below)) 1 Not For Loan ACDAN19090042

Includes bibliographical references.

This volume brings together new lines of research across a range of disciplines from participants in a workshop held at Wolfson College, Oxford, on 23rd May 2017. In light of rapid technological developments in digital imaging, the aim in gathering these contributions together is to inform specialist and general readers about some of the ways in which imaging technologies are transforming the study and presentation of archaeological and cultural artefacts. The periods, materials, geography, and research questions under discussion therefore are varied, but the contributions are united in shared interests surrounding the aims of these techniques for imaging objects: what advantages do they offer, whether in research or museum contexts, what limitations are still faced, and how can technological development encourage new types of research and public engagement?

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